398 Royalty-Free Audio Tracks for "Filtered Noise"

Or some acid sounds… and drone. All in oneused filters are> doepfer a-124 special edition, the wasp filter> uoki-toki polivoks vcf> intellijel μvcfdidnt plan to upload this to freesound, but read this. Okay filter freaks. . . The frequency analysis reveals a peak around 20khz. Through all of the track? almost. What is that? (when i converted the file to mp3 the peak disappears. . . ) one clue could be that i use the filter as vcas too?i have applied normalisation, compression and limiter in audacity. A "documentary" at https://www. Youtube. Com/watch?v=wtzfkg3mxcgin the film i use the mp3-file.

Created and formatted for use in the make noise morphagene by jake pugh. Korg ms-20 mini sequenced duophonically with the korg sq-1 sequencer, high-pass filtered.

I created this sound with additive synthesis ,using different eg`s and five different sounds for low ,middle and high harmonics. The pluck noise is a filtered noise at the resonance frequency of 523 hz.

A wind sound created with a white noise generator and a low pass filter on my console. I played with the cutoff frequency and a few eq peaks to vary the sound. Recorded at 44. 1k 16bit in stereo.

This is me playing an egg shaker. It will loop perfectly at 80 bpm or 160 bpm. Basic cleanup in audacity (noise removal, low pass and high pass filters).

This is me playing an egg shaker. It will loop perfectly at 80 bpm or 160 bpm. Basic cleanup in audacity (noise removal, low pass and high pass filters).

This ambiance has been recorded at luzech (france) on a hill, far from a bit everything. You can hear the lot (river) making some filtered white noise.

These sci-fi synth sweeps were created by manipulating white noise with filter sweeps and other effects and then using noise reduction to remove the underlying white noise. You would need to pick through them and cut them up, but they can be useful for sound designing light graphic elements that move around and animate on and off.

Various birds singing at the early morning. Recorded in a small town in northern germany. No sea-birds!. Highpass filtered and slightly noise reduced because of a distant highway/autobahn. But still useful for background.

Linear decay produced from stereo pink noise to reproduce 80's plate reverb in a convolution reverb plug-in. This can be filtered to find best character.

Artificially created rain sound. Amsynth and a few ladspa, lv2 filters used. I made this sound quite by accident while experimenting with the several controls on the synth prog!.

Buzzy patch of static from the am radio dial slowed and with a filter and some digital reverb.

Went in and played with some sound clips i had to make them ready to upload here. Ended up adding a "chorus" filter to some high pitched noises i made for a stop-motion, and the result was this! enjoy :).

Circular saw recorded at stereo zoom with pop-filter in good foley-studio.

A tap being turned on and off, with water draining at the end. Some handling noise in places, sorry about that. Has been recorded using a filter at 115hz.

I have mixed several field recordings, and processed them by bitcrushing, panning, amp modulating, filtering, and added reverberation.

**pleace, be carefull and reduce volume. **. This is original sound of a razorblade scratching the surface of glas. This noise was created to make a painfull noise. Headphones recommended. Recorded with zoom h2n - slightly filtered and cut of useless frequencys below 2k.

I was trying to make some fx you can hear in enigma’s tracks (for example ‘the eyes of truth’). Made with audition. P. S. Maybe it’d be a better sound if you listen to a downloaded file.

Walking along granville street in downtown vancouver at 3pm. Some filtering to remove the keys jingling at my side. Recorded with tascam dr-05.

Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.

Peeling several centimetres of sellotape branded sticky back plastic off a roll. Olympus ls-5, built-in mic capsules, no filtering.

Heavy metal scream i recorded, i added a little bit of reverb, did a noise reduction, and added a low pass filter to make it a bit more pretty.

Tea poured from a teapot to a cup. Recorded with zoom h1 recorder on the table next to a cup, in a small room. Normalized and filtered of low range noise in edison. 96khz 32-bit.

Recorded some random vocals, cut out a part, autotuned the heck out of it, added some distortion, delay, and tremolo and thought, that sounds cool. . .

Pouring a liqueur into a shot glass. Recorded on a blue yeti microphone through audacity at 16bit 44000hz. Background noise filtered out. Attribution appreciated but not required.

Some generative wildfire sfx made with sunvox. The crackling sounds were made by taking some highpassed white noise, ring modulating it with some more white noise, and then using a noise gate to usilate the loudest 'crackles'. The rumbling was created using lowpassed white noise, and the wind was made by bandpassing white noise with a high resonance and randomly sliding the filter frequency. Everything was sent into a reverb and a stereo expander.

Mouth made noise with snipping out finger. Recorded at home 26th of june 2014 with sharp md-sr50h(s)+ it's normal microphones, imported via analog (unfortunately*)into pc and saved with free software audacity. *please use some filter if you use this sound. . .

This loop was accidentally created when some input cables were connected wrong. It reminded me of something the crystal method could have created.

Recording of a bosch refrigerator. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else.

Car idles, then revs for no other reason but to make a noise. Can't remember what type of car it was, but it was blue and little flames came out of the exhaust. Tascam dr-22wl, internal mics, deadcat. 15hz high pass filter.

Created by cranking a filter to max resonance, adding distortion, then slowly sweeping the frequency control on a bit crusher.

Uk birmingham canal between icc and aston, large factory with very powerful extractor fan exhaust from roof running in foreground. Air flow noise superimposed on fan motor drone with some phasing. H2 zoom front mic with wind shield, hand held, some wind noise, worse towards end, missed the foreground fan switch off.

Picking up frostys/ cornflakes/ cereal on a plate and filtering them through my fingers. Raw audio, no edits. May be background noise.

Created in waveform-10 using 1 instance of zynaddsubfx with 3 layers of hi pass filtered oscillators which were tweaked in detail to sound more like noise. Theres a little reverb, delay and distortion in there. The other oscillator was white noise created in 4osc ( native waveform-10 plugin ).

Chorusharp,created with audacity. Analysis and resynthesis of an electric harp sound. For the plucknoise i added a filtered white noise. No samples used,my own creation.

A loop. A dirty loop colored by dirt. This time edited i audacity. . . Compressor and limiter.

I have built a nonlinearcircuits sloth lfo, the regular version. Sloth is a chaotic lfo. The output is based on the lorenz system. It is a system of ordinary differential equations. It is notable for having chaotic solutions for certain parameter values and initial conditions. In particular, the lorenz attractor is a set of chaotic solutions of the lorenz system which, when plotted, resemble a butterfly or figure eight (very much from wikipedia). The sloth has two outputs x and y. Think of them as coordinate pairs. The output will probably never repeat itself but there is a pattern. I have built the regular sloth it usually takes approx 15 seconds to make a rough figure 8, one cycle in the “butterly”. Now i’m testing the module in different ways. In this sound i have connected white noise to a filter. The filter frequency is controlled by sloth (x output). In this patch i have set the initial frequency low. That’s why there is a low humming wind noise between the “tops”. The output sound from filter goes to reverb. The sound is more a study of sloth behavior than an attempt to create a great wind sound.

An amplified version of thrusters_loop for a more intense effect. Has some nice rumbling and stereo sound. Created in fl studio with two white noise components, both with a low pass filter and one with an overdrive plugin. Edited in audacity.

Snare sound with thumpy click i created using the c-sfx synth of caustic 3 (on mobile) and some filtering and tweaking. Best for drum and bass, spacesynth and dance music.

A little something i made on my modular. The sound is a little edited in audacity.

Very weird and extraneous synth sound, basically a square wave with distortion and a high pass filter, have some lfos that modify different parameters such as amplitude, cutoff and resonance.

I want to incorporate this into my next song. Hopefully it will work at around 98 bpm. This one is not filtered compared to the one that has "deeper" in the title. More noise in this here version.

Recorded at the corner of younge street and king street in toronto, ontario on a zoom. People walk by, streetcar passes by, and no doubt cars! it's windy so one may put a high pass filter on it.

Crickets recorded on august night in mount sinai, n. Y. In an open expanse between two large oak trees. Recorded on a zoom h4n, 48khz 24 bit, high pass filter and noise reduction.

Upper harmonics created by a jackhammer operated in wellington city, new zealand (jackhammer sounds filtered out). Jackhammer was clearing debris in the cbd after an earthquake. Recorded with a tascam dr-44wl.

Another drone sound i created on the microfreak. I used the superwave oscillator and modulated the filter cutoff. Recorded to logic via a yamaha mixer and the ur22 mk1.

This is the sound-signature of many of the problems with digital audio equipment, a source sound of now-unidentifiable character was mangled using a selection of iterative granular resampling, timestretching and recombination techniques, almost all of which produce noisy artefacts, intermodulation artefacts and a particuarly weird sort of very noisy geomtetric comb filtering.

A warbler, a sparrow and some geese can be heard. In this version of this recording the background noise has been removed with a low-cut filter, and the recording has been turned into a loop. Recorded in new jersey. ---------------primo em172 capsules > zoom h1 recorder > low-cut filter.

Digital noise made from raw binary files extracted from hdd with hexplorer using raw import function in audacity. Files were 4, each made from 200 sectors. I modified each sound using filters and joined them together to make longer looping example. Good to use in a game or 3d video animation as background ambient noise. Audacity and hexplorer are freeware and you can make similar job with them. . .

Sound/track made withhttps://freesound. Org/people/gis_sweden/sounds/465325/noise and some simple tones added. Reverb and delay (zoom ms-70cdr)!nlc sloth is controlling filters and melody development.